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	<title>Gayle Chong Kwan &#187; Photographic Series</title>
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	<link>http://gaylechongkwan.com</link>
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		<title>&#8216;The Grand Tour&#8217;, 2007-9</title>
		<link>http://gaylechongkwan.com/2010/01/the-grand-tour-2007-9/</link>
		<comments>http://gaylechongkwan.com/2010/01/the-grand-tour-2007-9/#comments</comments>
		<pubDate>Tue, 05 Jan 2010 08:33:47 +0000</pubDate>
		<dc:creator>gayle</dc:creator>
				<category><![CDATA[Photographic Series]]></category>

		<guid isPermaLink="false">http://gaylechongkwan.com/?p=2582</guid>
		<description><![CDATA[A two-year project in which Gayle Chong Kwan developed new work to reference, celebrate and critique the Grand Tour and its relationship to contemporary tourism, master planning, waste and landscape traditions within fine art. It directly references the historic Grand Tour – the traditional ‘rites-of-passage’ form of travel by upper-class young European men first begun [...]]]></description>
			<content:encoded><![CDATA[<p>A two-year project in which Gayle Chong Kwan developed new work to reference, celebrate and critique the Grand Tour and its relationship to contemporary tourism, master planning, waste and landscape traditions within fine art. It directly references the historic Grand Tour – the traditional ‘rites-of-passage’ form of travel by upper-class young European men first begun in the 17th Century. The tour was a programme of new work by Gayle Chong Kwan presented at mac, Birmingham; Arts Co, London, Cittadellarte – Fondazione Pistoletto, Italy; and ArtSway, Hampshire. Supported by National Touring, Arts Council England.  <a href="http://www.thegrandtour.gaylechongkwan.com/" target="_blank">www.thegrandtour.gaylechongkwan.com</a></p>
<p>&nbsp;</p>
<p><strong>&#8216;Paris Remains&#8217;, 2009</strong><br />
Series of 10, Edition of 5<br />
C-type Photographic Print on Lambda Archival Paper, 56 x 101cm</p>
<p>&nbsp;</p>
<p><strong>&#8216;Les Precieuses&#8217;, 2009</strong><br />
Series of 12, Edition of 5<br />
C-type Photographic Print on Lambda Archival Paper, 51 x 61cm</p>
<p><a href="http://gaylechongkwan.com/2010/01/the-grand-tour-2007-9/gck04-tif-2/" rel="attachment wp-att-2585"><img class="alignleft size-full wp-image-2585" style="border-style: initial; border-color: initial; border-width: 0px;" title="GCK04.tif" src="http://gaylechongkwan.com/wp-content/uploads/Gayle-Chong-Kwan-IV-Les-Precieuses-series-20081.jpg" alt="" width="400" height="322" /></a></p>
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<p><strong>&#8216;Veduta Romantica&#8217;, 2008</strong><br />
Series of 12, Edition of 5<br />
C-type Photographic Print on Lambda Archival Paper, 40 x 51cm</p>
<p>&nbsp;</p>
<p><strong>&#8216;Glocal Panorama&#8217;, 2008</strong><br />
Series of 14, Edition of 5<br />
C-type Photographic Print on Lambda Archival Paper, 51 x 61cm</p>
<p>&nbsp;</p>
<p><strong>&#8216;Atlantis V&#8217;, 2009</strong><br />
Series of 7, Edition of 3<br />
C-type Photographic Print on Hahnemuhle Paper, 183 x 132cm</p>
<p><a href="http://gaylechongkwan.com/2010/01/the-grand-tour-2007-9/2012-tif-4/" rel="attachment wp-att-2586"><img class="alignleft size-full wp-image-2586" style="border-style: initial; border-color: initial; border-width: 0px;" title="2012.tif" src="http://gaylechongkwan.com/wp-content/uploads/Gayle-Chong-Kwan-VI-Atlantis-V-series-20083.jpg" alt="" width="301" height="378" /></a></p>
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<p><strong>&#8216;Atlantis&#8217;, 2009 </strong><br />
Installation, Dimensions Variable, Unique</p>
<p><a href="http://gaylechongkwan.com/2009/04/terroir-and-the-pathetic-fallacy/gayle-chong-kwan-atlantis-installation-13-2009-5/" rel="attachment wp-att-2446"><img title="Gayle Chong Kwan, 'Atlantis' (installation 13), 2009" src="http://gaylechongkwan.com/wp-content/uploads/Gayle-Chong-Kwan-Atlantis-installation-13-20094.jpg" alt="" width="400" height="300" /></a><a href="http://www.guardian.co.uk/artanddesign/2009/may/01/art-exhibitions-this-week" target="_blank"><br />
</a></p>
<p>&#8216;Terroir and the Pathetic Fallacy&#8217;, &#8216;The Grand Tour&#8217;, ArtSway, Hampshire,  2009</p>
<p><a href="http://www.guardian.co.uk/artanddesign/2009/may/01/art-exhibitions-this-week" target="_blank">&#8216;Terroir and the Pathetic Fallacy&#8217;, The Guardian &#8211; Exhibitionist: The best art shows to see this week</a></p>
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		</item>
		<item>
		<title></title>
		<link>http://gaylechongkwan.com/2009/06/senscape-scotland/</link>
		<comments>http://gaylechongkwan.com/2009/06/senscape-scotland/#comments</comments>
		<pubDate>Sun, 28 Jun 2009 11:29:45 +0000</pubDate>
		<dc:creator>gayle</dc:creator>
				<category><![CDATA[Artworks]]></category>
		<category><![CDATA[Photographic Series]]></category>

		<guid isPermaLink="false">http://gaylechongkwan.com/?p=1335</guid>
		<description><![CDATA[&#8216;Senscape Scotland&#8217;, 2009 Vauxhall Collective Award Photography Series of 6, Edition of 5 C-type Photographic Print on Lambda Archival Paper, 30 x 40&#8243; &#160; &#160; &#160; &#160; &#160; &#160; &#160; &#160; &#160; &#160; &#160; &#160; &#8216;Girnigoe Castle&#8217;, &#8216;Senscape Scotland&#8217; (series), 2009 OTHER WORKS IN THE SERIES: &#8216;Skara Brae&#8217; &#8216;Holyrood Palace&#8217; &#8216;Edinburgh Fire&#8217; &#8216;Roslyn Chapel&#8217; &#8216;Standing Stones of Stenness&#8217;]]></description>
			<content:encoded><![CDATA[<p><strong>&#8216;Senscape Scotland&#8217;, 2009<br />
</strong>Vauxhall Collective Award Photography<br />
Series of 6, Edition of 5<br />
C-type Photographic Print on Lambda Archival Paper, 30 x 40&#8243;</p>
<p><a href="http://gaylechongkwan.com/2009/06/senscape-scotland/neg2759-2/" rel="attachment wp-att-2559"><img class="alignleft size-full wp-image-2559" style="border-style: initial; border-color: initial; border-width: 0px;" title="NEG2759" src="http://gaylechongkwan.com/wp-content/uploads/‘Girnigoe-Caste’-‘Senscape-Scotland’-20091.jpg" alt="" width="432" height="342" /></a></p>
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<p>&#8216;Girnigoe Castle&#8217;, &#8216;Senscape Scotland&#8217; (series), 2009</p>
<p>OTHER WORKS IN THE SERIES:</p>
<p>&#8216;Skara Brae&#8217;<br />
&#8216;Holyrood Palace&#8217;<br />
&#8216;Edinburgh Fire&#8217;<br />
&#8216;Roslyn Chapel&#8217;<br />
&#8216;Standing Stones of Stenness&#8217;</p>
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		<title>Thames Town</title>
		<link>http://gaylechongkwan.com/2008/09/thames-town/</link>
		<comments>http://gaylechongkwan.com/2008/09/thames-town/#comments</comments>
		<pubDate>Sun, 21 Sep 2008 12:27:12 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Artworks]]></category>
		<category><![CDATA[Photographic Series]]></category>

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		<description><![CDATA[Gayle Chong Kwan, Thames Town (series), 2008. Series of 24 c-type lambda prints, 24 x 18″ Gayle Chong Kwan, Thames Town, Collyer Bristow Gallery, London, 2008]]></description>
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<p>Gayle Chong Kwan, <em>Thames Town </em>(series),  2008. Series of 24 c-type lambda prints, 24 x 18″</p>
<p><a href="http://www.collyerbristow.com/Default.aspx?sID=11&amp;lID=0" target="_blank">Gayle Chong Kwan, Thames Town, Collyer Bristow Gallery, London, 2008</a></p>
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		<title>The Land of Peach Blossom</title>
		<link>http://gaylechongkwan.com/2008/09/the-land-of-peach-blossom/</link>
		<comments>http://gaylechongkwan.com/2008/09/the-land-of-peach-blossom/#comments</comments>
		<pubDate>Sun, 21 Sep 2008 11:01:46 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Artworks]]></category>
		<category><![CDATA[Exhibitions]]></category>
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		<description><![CDATA[Gayle Chong Kwan, Chelsea Street, The Land of Peach Blossom (series), 2008 ‘The Land of Peach Blossoms’ is a mythical large-scale housing development located high in the mountains and carved in miniature out of used plastic food packaging materials. It develops out of research in the UK and China, on the Grice Collection in Sheffield, [...]]]></description>
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<br />
Gayle Chong Kwan, <em>Chelsea Street, The Land of Peach Blossom</em> (series), 2008<br />
<span id="more-373"></span><br />
‘The Land of Peach Blossoms’ is a mythical large-scale housing development located high in the mountains and carved in miniature out of used plastic food packaging materials. It develops out of research in the UK and China, on the Grice Collection in Sheffield, ivory carving techniques, masterplanning developments which use ‘British’ architectural themes, such as Thames Town in Shanghai, as well as the chinoiserie in the UK.<br />
‘The Land of Peach Blossoms’ transforms the myth of a peaceful land far away from the turmoils of the world into a 21st century housing development, a mountain top gated-community. The installation comprises large sculptural architectural models of the housing development carved from used plastic food packaging. Large-format photographic works are installed like landscape panels on the walls, which focus in on details and also reflecting miniature Chinese mountain landscape panels.</p>
<p>Installation, and series of 9 giclee prints, Hahremuhle paper, 70 x 44&#8243;</p>
<p><a href="http://uk.youtube.com/watch?v=6Y3gv5Dv4y8" target="_blank">Gayle Chong Kwan, <em>The Land of Peach Blossom</em>, Graves Gallery, Sheffield, 2008</a><br />
<a href="http://www.collyerbristow.com/Default.aspx?sID=750" target="_blank">Gayle Chong Kwan, <em>The Land of Peach Blossom</em>, Cantilever, Collyer Bristow/London Festival of Architecture, London, 2008</a></p>
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		<title>Future Visioning, Blyth/Ashington</title>
		<link>http://gaylechongkwan.com/2007/03/future-visioning-blythashington/</link>
		<comments>http://gaylechongkwan.com/2007/03/future-visioning-blythashington/#comments</comments>
		<pubDate>Fri, 09 Mar 2007 11:19:49 +0000</pubDate>
		<dc:creator>admin</dc:creator>
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		<description><![CDATA[Gayle Chong Kwan, Future Visioning, 2007 Gayle Chong Kwan, Future Visioning, Inspire Northumberland, 2007]]></description>
			<content:encoded><![CDATA[<p><a class="thickbox" href="http://gaylechongkwan.com/wp-content/gallery/2007/future/_MG_8129.jpg"><img src="http://gaylechongkwan.com/wp-content/gallery/2007/future/_MG_8129.jpg" alt="Gayle Chong Kwan, Future Visioning (2007)" width="202" height="134" /></a></p>
<h5>Gayle Chong Kwan, <em>Future Visioning, </em>2007<span id="more-277"></span></h5>
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<p><!--more--></p>
<p><a href="http://www.toinspire.co.uk/project-visions2027.html" target="_blank">Gayle Chong Kwan, <em>Future Visioning</em>, Inspire Northumberland, 2007</a></p>
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		<title>Mont Choisy</title>
		<link>http://gaylechongkwan.com/2005/02/mont-choisy/</link>
		<comments>http://gaylechongkwan.com/2005/02/mont-choisy/#comments</comments>
		<pubDate>Tue, 08 Feb 2005 16:46:40 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Artworks]]></category>
		<category><![CDATA[Photographic Series]]></category>

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		<description><![CDATA[Gayle Chong Kwan, Mont Choisy, Mauritius, ACE Residency, 2005 Series of 28 c-type lambda prints, 20 x 24″ A series of twenty-eight photographs which document, over two month period, the temporary structures which Mauritians erect on one of the few remaining public beaches, Mont Choisy, on the island.  The temporary structures are erected on the traditional [...]]]></description>
			<content:encoded><![CDATA[<p style="text-align: center;"><a class="thickbox" href="http://gaylechongkwan.com/wp-content/gallery/2005/choisy/0014.jpg"><img class="aligncenter" src="http://gaylechongkwan.com/wp-content/gallery/2005/choisy/0014.jpg" alt="Gayle Chong Kwan, Mont Choisy, 2005" width="245" height="204" /></a></p>
<h5>Gayle Chong Kwan, <em>Mont Choisy</em>, Mauritius, ACE Residency, 2005<span id="more-210"></span></h5>
<h6>Series of 28 c-type lambda prints, 20 x 24″</h6>
<p><!--more--></p>
<p style="text-align: justify;">A series of twenty-eight photographs which document, over two month period, the temporary structures which Mauritians erect on one of the few remaining public beaches, Mont Choisy, on the island.  The temporary structures are erected on the traditional causarina trees, which are being cut down and replaced by palm trees on many parts of the coast, to create beaches which are seen as more in keeping with the image of of the &#8216;paradise island&#8217; for the tourist industry. Many of the large hotel complexes are still legally and theoretically able to be used by locals, as long as they enter the beaches from the sea, but in reality the presence of hotel security guards deter this.</p>
<p><!--more--></p>
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		<title>Bois Cheri</title>
		<link>http://gaylechongkwan.com/2005/01/207/</link>
		<comments>http://gaylechongkwan.com/2005/01/207/#comments</comments>
		<pubDate>Sat, 08 Jan 2005 16:43:18 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Artworks]]></category>
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		<description><![CDATA[Gayle Chong Kwan, Bois Cheri, Mauritius, ACE Residency, 2005]]></description>
			<content:encoded><![CDATA[<p><a class="thickbox" href="http://gaylechongkwan.com/wp-content/gallery/2005/bois/Bois-Cheri-2.jpg"><img src="http://gaylechongkwan.com/wp-content/gallery/2005/bois/Bois-Cheri-2.jpg" alt="Gayle Chong Kwan, Bois Cheri (2005)" width="224" height="180" /></a></p>
<h5>Gayle Chong Kwan, <em>Bois Cheri</em>, Mauritius, ACE Residency, 2005<span id="more-207"></span></h5>
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		<title>Cockaigne</title>
		<link>http://gaylechongkwan.com/2004/01/cockaigne/</link>
		<comments>http://gaylechongkwan.com/2004/01/cockaigne/#comments</comments>
		<pubDate>Wed, 28 Jan 2004 17:19:54 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Artworks]]></category>
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		<description><![CDATA[Gayle Chong Kwan, Republic, Cockaigne (series), 2004 Cockaigne is a commission by Autograph ABP Gayle Chong Kwan, Cockaigne (series), 2004 Adonia Avalon Babel Bermudas Brigadoon Eldorado Lotosland New Atlantis New Amazonia Republic Resort Voyage to the World at the Centre of the Earth Series of 12 c-type lambda prints, 40 x 31″ A series of [...]]]></description>
			<content:encoded><![CDATA[<h5><a class="thickbox" href="http://gaylechongkwan.com/wp-content/gallery/2004/cockaigne/Republic12x10.jpg"><img class="ngg-singlepic ngg-none" src="http://gaylechongkwan.com/wp-content/gallery/2004/cockaigne/Republic12x10.jpg" alt="Gayle Chong Kwan, Republic, 2004" width="240" height="189" /></a></h5>
<h5><a class="thickbox" href="http://gaylechongkwan.com/wp-content/gallery/2004/cockaigne/Republic12x10.jpg"></a><span style="font-weight: normal;">Gayle Chong Kwan, </span><em><span style="font-weight: normal;">Republic, Cockaigne</span></em><span style="font-weight: normal;"> (series), 2004</span></h5>
<h6><span style="font-weight: normal;"><em><span style="color: #808080;">Cockaigne</span></em><span style="color: #808080;"> is a commission by Autograph ABP</span></span><br />
<span id="more-3"></span></h6>
<h5>Gayle Chong Kwan, <em>Cockaigne</em> (series), 2004</h5>
<h5><!--more--></h5>
<h5><em>Adonia</em></h5>
<h5><em>Avalon<br />
</em></h5>
<h5><em>Babel</em></h5>
<h5><em>Bermudas</em></h5>
<h5><em>Brigadoon<br />
</em></h5>
<h5><em>Eldorado</em></h5>
<h5><em>Lotosland<br />
</em></h5>
<h5><em>New Atlantis</em></h5>
<h5><em>New Amazonia</em></h5>
<h5><em>Republic</em></h5>
<h5><em>Resort</em></h5>
<h5><em>Voyage to the World at the Centre of the Earth</em></h5>
<p><!--more--></p>
<h6>Series of 12 c-type lambda prints, 40 x 31″</h6>
<p><!--more--></p>
<h5 style="text-align: justify;"><!--StartFragment--><span>A series of twelve large-format photographs based on 14<sup>th</sup> Century ideas of a glutton’s paradise. Each depicts a mythical landscape constructed from a single foodstuff, which appear enticing but on closer inspection verge on the repellent, the cheese in ‘Resort’ is plastic and slimy, the dried meat in ‘Babel’ beginning to sweat. Exploring the exotic in tourism, myth and Fine Art, t</span><span lang="EN-US">he scenes share horizons; visually linking up into a fantastical landscape reminiscent of scenarios created by Dufour in the 19<sup>th</sup> Century.</span><!--EndFragment--> <!--more--></h5>
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<p><!--more--></p>
<h5><a href="http://www.autograph-abp.co.uk/" target="_blank">Gayle Chong Kwan, <em>Cockaigne</em> (series), 2004</a></h5>
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		<title>Mappa Manna</title>
		<link>http://gaylechongkwan.com/2002/08/mappa-manna/</link>
		<comments>http://gaylechongkwan.com/2002/08/mappa-manna/#comments</comments>
		<pubDate>Tue, 20 Aug 2002 16:41:47 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Artworks]]></category>
		<category><![CDATA[Exhibitions]]></category>
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		<description><![CDATA[Gayle Chong Kwan, Mappa Manna, Chinese Arts Centre, Manchester, 2002]]></description>
			<content:encoded><![CDATA[<p><a class="thickbox" href="http://gaylechongkwan.com/wp-content/gallery/2002/mappa/Mappa-Manna-1.jpg"><img class="ngg-singlepic ngg-none" src="http://gaylechongkwan.com/wp-content/gallery/2002/mappa/Mappa-Manna-1.jpg" alt="Gayle Chong Kwan, Mappa Manna, 2002" width="216" height="131" /></a></p>
<h5>Gayle Chong Kwan, <em>Mappa Manna</em>, Chinese Arts Centre, Manchester, 2002<span id="more-174"></span></h5>
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		<title>Chorus</title>
		<link>http://gaylechongkwan.com/2001/11/chorus/</link>
		<comments>http://gaylechongkwan.com/2001/11/chorus/#comments</comments>
		<pubDate>Tue, 20 Nov 2001 16:23:11 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Artworks]]></category>
		<category><![CDATA[Exhibitions]]></category>
		<category><![CDATA[Photographic Series]]></category>

		<guid isPermaLink="false">http://gaylechongkwan.com/?p=155</guid>
		<description><![CDATA[Gayle Chong Kwan, Chorus, LXE9, London, 2001]]></description>
			<content:encoded><![CDATA[<p><a class="thickbox" href="http://gaylechongkwan.com/wp-content/gallery/2001/chorus/Chorus-5.jpg"><img class="ngg-singlepic ngg-none" src="http://gaylechongkwan.com/wp-content/gallery/2001/chorus/Chorus-5.jpg" alt="Gayle Chong kwan, Chorus, 2001" width="243" height="155" /></a></p>
<h5>Gayle Chong Kwan, <em>Chorus</em>, LXE9, London, 2001<span id="more-155"></span></h5>
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